Compare and contrast London by William Blake with Composed upon Westminster Bridge by William Wordsworth Essay Example

Compare and contrast London by William Blake with Composed upon Westminster Bridge by William Wordsworth Essay Example Compare and contrast London by William Blake with Composed upon Westminster Bridge by William Wordsworth Paper Compare and contrast London by William Blake with Composed upon Westminster Bridge by William Wordsworth Paper Essay Topic: Poetry This essay will look at the two poems London by William Blake and Composed upon Westminster Bridge by William Wordsworth. It will compare and look at the differences between the mood and general message given by the two poems. Both poems are set in London and describe a day in the life of London. Reading the two poems the reader realises how the poets different experiences of London clearly influence the way they picture the city. William Wordsworths poem Composed upon Westminster Bridge is all about Londons beauty and all of its glory. He describes it as if it was far away and is looking at it like a landscape. It is thought that the poem was actually written on Westminster Bridge or the idea came to him when on the bridge. Whereas Wordsworths London describes London as a beautiful, silent and calm place, London by William Blake takes a much darker turn describing a cruel, dark and impoverished London where everyone is miserable, fearful and young girls are forced into prostitution. Blake, who lived in London, wanted to highlight the way people were living and wanted it to change. Wordsworth was a pantheist which means he believed god was in nature and everything living, and not in a church with expensive ornaments. He looked at London from a more relaxed angle and not as close-up as Blake who described people and streets rather than buildings. The 2 poets are both describing the same place, but with different opinions and subjects. Blakes opening line is I wander through each chartered street. The first line shows that he disapproves of the streets of London for being so busy. He focuses on the people walking through the streets and how they all seem to be unhappy or ill. Marks of weakness, marks of woe. He shows us London at its worst, with children of all ages working as chimney sweeps in dangerous conditions and young prostitutes ending up with unwanted births. He shows us a London in which people would not want to live in and which needs to change for the better. Every blackening church appals, and the hapless soldiers sigh. This line from the poem shows that he is suggesting it is the Churchs fault for turning a blind eye to the suffering around them, and also the governments for not getting the soldiers to help the public and keep order. This, compared with Wordsworths message, which is soothing and describes London as a beautiful, calm place, is very contradictory. This would make readers think about how the writers different experiences would have a big impact on the message and imagery of the poems. In Wordsworths poem he sounds inspired by London and its beauty. He talks about how London blends into the countryside; theatres and temples lie open unto the fields. He also describes the river; the river glideth at his own sweet will whereas Blake describes it as: near where the chartered Thames does flow. These 2 quotes show the very different opinions of the poets. Wordsworth also talks about the marvellous buildings showing the best of mankinds achievements. The structure of Blakes poem is quite simple with a nursery rhyme style. He uses simple rhyming couplets but he conveys a complex message with it. In the poem he builds up the tension, despair and bad imagery and ends with the line: blights with plague the marriage hearse. This quote suggests that Blake thinks that in the hard life of London it is hard maybe even pointless to have a marriage. Another message of despair for London in the poem is in the 3rd stanza where there is an acrostic that reads HEAR. This is another way of reaching out to the reader asking them to help London. Wordsworth has written his poem as a sonnet which is more commonly used for lovers or something of high praise. He, like Blake, brings his poem to a climax but his is of wonder and amazement at what he sees around him. Wordsworth uses enjambment in his poem so that the lines run over each other making it calmer and reflective, very different from Blakes short repetitive lines which sound sadder. There are some strong emotions shown by the writers in each poem. Such as Blake whose anger shows throughout the poem with words such as: blackening, curse and weakness. He is unhappy and angry with society and wants to scare and shock the reader into doing something about the problem. Wordsworths emotions are more of awe at the sight before him. His poem is slow and calm but grows to a climax where he is excited to just talk about London. This is shown by the exclamation marks in the last few lines of the poem. Blakes use of repetition in his poem is quite effective with imagery and tone. The repetition of chartered gives the sense that if both the river and streets are chartered, is there such a place where it is calm in London? When he repeats the words marks, it gives the idea that everyone on the street is ill and in need of help and has been marked in a way by London. In the 2nd stanza with the repetition of every he describes how he hears the mind-forged manacles where everyone must suffer and be subjected to the same pointless tasks if they are to survive. Blake makes good use of dark colours in his poem; they help with the imagery of a cruel and violent London, the dark colours help to convey feelings of corruption and the midnight curses and tears give a sense of chaos. Wordsworth on the other hand uses soothing, calm similes and personification, such as: the river glideth at his own sweet will. He uses this language instead of strong metaphors like Blake uses. His last line reads: And all that mighty heart is lying still! . Maybe with the words mighty heart he is suggesting that London is the heart of Britain and that he is amazed that something so vital could be stationary. In this poem, Blake is trying to shock readers into action, and I believe it is essentially a plea to the people who can actually make the difference, like the government, rich businessmen and royals. He describes all the bad points of London with no sign of anything worth seeing there, almost like a warning. For me it has made me realise that things were a lot worse than I thought. Its also made me realise that things in London in the present day havent changed much. The roads are actually chartered in central London with an expensive congestion charge, the rivers have strict rules for boats and moorings, many people have a very low income and can only just get by. This is even with a policy called London Weighting, which means people will earn higher wages than they would for doing the same job somewhere outside of London, due to the high cost of living in London. Of course, in this day and age, there isnt any child prostitution on the streets because of the law now but there is a lot of illegal adult prostitution all over London. Blake was delivering a message to readers of poverty and corruption within the government and, with people like Blake, the situation has come to change where there is a proper police force that helps the needy and a church where people can go for help and support. I think it was quite brave of him to do this because of the ways people who wanted change for the common people often got into trouble or were killed by the government and church so as not to start rebellions. Wordsworths poem, in contrast to Blakes poem and message, seems almost naive. This is because he looks at the city and is in awe of its beauty and splendour, but he describes it as if there could be no wrong in London at all, looking at a picture of it and cant see the pain, suffering and unpleasantness in the streets. Personally, if it wasnt for his pantheist beliefs, it would feel as though he had been told to write it by a higher authority so as to describe only the parts of London which werent affected by misery and poverty.

Locating German Vital Records

Locating German Vital Records Civil registration of births, marriages, and deaths in Germany began following the French Revolution in 1792. Beginning with regions of Germany under French control, most German states eventually developed their own individual systems of civil registration between 1792 and 1876. In general, German civil records begin in 1792 in Rheinland, 1803 in Hessen-Nassau, 1808 in Westfalen, 1809 in Hannover, Oct 1874 in Prussia, and Jan 1876 for all other parts of Germany. Since Germany has no central repository for civil records of births, marriages, and deaths, the records may be found in several different locations. Local Civil Registrars Office Most civil birth, marriage, and death records in Germany are maintained by the civil registration office (Standesamt) in the local towns. You can usually obtain civil registration records by writing (in German) to the town with the appropriate names and dates, the reason for your request, and proof of your relationship to the individual(s). Most cities have websites at www.[city name].de where you can find the contact information for the appropriate Standesamt. Government Archives In some areas of Germany, duplicate civil records of births, marriages and deaths have been sent to the state archives (Staatsarchiv), district archives (Kreisarchive), or another central repository. Many of these records have been microfilmed and are available at the Family History Library or through local Family History Centers. The Family History Library The Family History Library has microfilmed the civil registration records of many towns throughout Germany up to about 1876, as well as copies of records sent to many of the various state archives. Do a Place Name search in the online Family History Library Catalog for the name of the town to learn what records and time periods are available. Parish Records Often called parish registers or church books, these include records of births, baptism, marriages, deaths, and burials recorded by German churches. The first surviving Protestant records date back to 1524, but Lutheran churches, in general, began requiring baptism, marriage, and burial records in 1540; Catholics began doing so in 1563, and by 1650 most Reformed parishes began keeping these records. Many of these records are available on microfilm through Family History Centers. Otherwise, youll need to write (in German) to the specific parish which served the town in which your ancestors lived.